The Reggae Bubblers are a
Roots and Culture band from the little island of St. Croix
in the U.S Virgin Islands. The island they live on may be
small (even if it is largest of the U.S. Virgin Islands),
but they have a big, big sound.The
album they have produced here is entrenched in the finest
roots traditions and full of Rastafarian sentiments, in fact
I’d go so far as to say this is probably the strongest
Rastafarian inspired album I have heard in a long, long
time.
Musically the album is assured, as it
should be I suppose from a band who have now released around
11 albums, with founding member Hayba Warner’s bass at its
powerful beating heart. On songs like High Society
and Hope & Pray it comes like fire and brimstone
raining down while even on lighter numbers like opener
Zion Is A Holy Place and Love Life and Live
there is a sense of restrained menace that drives their
messages on. Drums are lively, with keyboards that are
bouncy and while Hayba and Cheech may not be the most
refined vocalists in the world they have an honest quality
about them and the female backing harmonies are bright and
soothing.
Lyrically as I say at the beginning it’s
all about praises to Jah and fighting for the rights of
people suffering in the system of Babylon, where
man heart so cold. The thing with roots music and
probably what draws myself to it most is that it is rarely
down beat and despite songs like the title track and
Time, Time being concerned with the plight of the
sufferers it is never morose, but always looks for positives
and draws strength from the firm belief that righteousness
will prevail not matter what. Also in these times of
troubles and growing mistrust the call for unity and one
love is loud, helping to give it a strong feel good factor.
Production is unfussy and arrangements
simple, leaving the whole album with a bit of an old
time, feel especially on the songs that contain those
old skool string sounding synths. This simplicity and lack
of modern technology may not appeal to all and indeed to
some seem a bit tired, plus the messages in their lyrics
could be deemed a bit preachy in parts.
All in though, despite some slight
misgivings, this is an album of good, forthright,
uncomplicated roots music that imparts a just message not
just for Rastafarians but for all.
Original Source: United Reggae