We are an army of one livicated to bringing about change in the world
through reggae music. As a child of the 60's, I learned at an early age to appreciate the
power that music can have on the mindset of a people. Artists like Bob Dylan enlightened
my consciousness as to what was really going on in the world. The knowledge that I
acquired through the message contained in songs like 'Blowin' In The Wind' or Marvin
Gaye's 'What's Going On?' played a tremendous role in formulating my views, my
philosophies and my beliefs.
In the early 70's another Bob had a most
profound influence on my life..... Bob Marley. Though I had already been exposed to reggae
music through artists like Toots & The Maytals or Jimmy Cliff, it was Bob Marley who
brought JAH music into my life. Like the protest songs of the 'flower-child' era, this
music echoing from the shanties of Kingston, seemed to truly be a 'people's music'. In it
could be heard the voice of a people crying out for justice and demanding their fair
share.
By 1975 I had graduated from high school,
but it wasn't until I heard Peter Tosh's 'Apartheid' that I learned of the oppression
still being perpetuated on a people. Songs like 1865 (96' In The Shade) exposed me to the
havoc heaped on the world's diverse cultures thorough brutal colonialism. Burning Spear's
'Marcus Garvey' showed me that there was a vibrant pan-african movement long before the
days of Malcolm X. My REAL education was just beginning.
But the seminal moment came for me in
1978, when I obtained a copy of Prince Far I's 'Message From The King'. This album opened
my eyes to the livity of Rastafari as well as the abundance of JAH's music in Jamaica. On
the title track, an artist named 'Culture' bawls: "Black reggae music, is a message
from the King". That song launched me on a journey to learn more about the Rastafari
faith.
Prince Far I's album also made me dig
deeper into the music and to discover 'Jamaican Imports'. Once this flood gate was opened,
I was overcome by a tidal wave of conscious rootical albums such as Dennis Brown's
"Wolves And Leopards", Culture's "Two Sevens Clash" and "Israel
Vibration's "The Same Song". The vibes from the music moved me in ways I had
never before felt. I found my self within the music and found the music within my self.
Since that time, I have tried to do what
I can to help forward JAH music to the people. Whether as a radio DJ in the 70's or a
distributor of Jamaican records in the 80's, the mission has remained the same. The 90's
brought the internet, and with it came a new wavelength in which to broadcast JAH music to
those who have ears to hear and want to hear.
In 1998,